
Interference
The current large-format series: layered spray fields where a hard masked edge meets a fade with nothing between them.
Ongoing since 2022
Exhibition
Painter · spray and canvas
Aerosol does two things nothing else does: a hard masked edge and a fade with no brush in it. I build paintings out of only those two moves.

I make large abstract paintings on canvas with spray paint, masking, and cut stencils.
Media
Subjects

The current large-format series: layered spray fields where a hard masked edge meets a fade with nothing between them.
Ongoing since 2022

Work photographed mid build, tape and cut stencils still on the canvas and the overspray halo still on the wall.

The crates, the sorted cans, and the jar of caps. Every fade in the work comes from choosing one of those caps.

Small format works made to test one thing: how close a fade can sit to a hard edge before the edge stops reading.

The storage rack, where the stacked edges of finished canvases show every layer the front of the painting hides.

The fourth solo: large works hung one to a wall, with the room between them this work needs to be read.
4th solo show, 2025
I painted walls for six years before I ever stretched a canvas, and the wall taught me the thing I still work from: you commit at arm's length and you cannot take a pass back. I moved the practice indoors in 2014 and took a studio in a converted ice house in 2016. The paintings are built in layers, mask, spray, pull the tape, mask again, sometimes twenty passes before one of them is finished. Four solo shows since 2018. I run an aerosol workshop out of the studio twice a year.
4 solo shows since 2018
Most recently the Ice House Annex, 2025
Studio since 2016
Converted ice house, San Antonio
6 years painting walls
Before the practice moved to canvas in 2014
2016 - present
Large-format spray work on canvas.
2014 - 2016
Moved the work indoors from walls.
2008 - 2014
Six years painting walls around San Antonio.
Large-format canvases made to a wall, with the scale and palette settled before any tape goes down.
Solo and group work for galleries and project spaces, hung with the room the paintings need.
A two-day workshop on masking, caps, and fades, run out of the studio twice a year.
Spray does not lift. Every layer is a decision you live with, which is why the work gets built in masks rather than in edits.
A fade on its own is atmosphere. Put a hard masked edge next to it and the painting suddenly has an argument.
Large abstract paintings on canvas, built with spray paint, masking tape, and cut stencils, from a studio in San Antonio.
Four solo shows since 2018, most recently seven large works at the Ice House Annex in 2025.
Yes. An aerosol workshop runs out of the studio twice a year.
Gallery·shown with a fictional demo record
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