2018 - present
Independent Photographer & Writer
Assignments, four running series, and Slow Crossing.

I travel slowly and come back with a body of work, not a highlight. A place gives you the same picture as everyone else on day one and a different one on day nine.
Lisbon, PT · Open to assignments and slow commissions
I photograph and write about places, one long stretch at a time.
Known for
Focus
Three years as an assistant editor at a guidebook publisher taught me how much of travel writing is written from a desk. I left in 2018 to do it the other way around: go, stay, and file from the road. Since 2019 I have published Slow Crossing, a dispatch of pictures and notes from whatever route I am on. Coast Road, a self-published book from a 900 kilometre walk of the Atlantic coast, came out in 2023. I keep four series running at once so a trip always has somewhere to land.
2018 - present
Assignments, four running series, and Slow Crossing.
2015 - 2018
Route guides written mostly from a desk.
2014

Photo book
A self-published photo book made walking 900 kilometres of Atlantic coast route over two seasons.
Published 2023

Portrait series
An ongoing portrait series of market traders, made at the hour the stalls open rather than the hour tourists arrive.

Photo essay
A photo essay assembled across eleven overnight rail crossings, all shot between dark and first light.
11 crossings

Typology
A typology collected lane by lane: the same frame, the same distance, a different door.

Landscape
High desert and salt flat work about scale, made when the light is long enough to measure a person against the ground.

Writing
The dispatch itself: pictures and field notes filed from the road since 2019, written where they were made.
Published since 2019
Coast Road, 2023
Self-published book from a 900 km walk
Slow Crossing since 2019
Field dispatch of pictures and notes
Independent since 2018
After three years at a guidebook publisher
Place and travel assignments for editorial and brand clients, shot over a stretch rather than a schedule.
Field writing filed from the road, and long-form pieces built from a trip rather than a brief.
Frames from the running series available for editorial and book use.
She is a travel photographer and writer based in Lisbon who works in long stretches and publishes Slow Crossing, a field dispatch of pictures and notes.
Coast Road, a self-published book from a 900 kilometre walk of an Atlantic coast route, and four ongoing series including Night trains and Market mornings.
Yes. Assignments and slow commissions, with a preference for work that allows more than a few days on the ground.
The first frames a place gives you are the ones it gives everyone. Staying is the only technique that reliably changes the picture.
Notes written back home turn into copy. Notes written on the platform stay closer to what actually happened.
Cover·shown with a fictional demo record
See it on your record →