Wren Adeyemi

Wren Adeyemi

I travel slowly and come back with a body of work, not a highlight. A place gives you the same picture as everyone else on day one and a different one on day nine.

Lisbon, PT · Open to assignments and slow commissions

I photograph and write about places, one long stretch at a time.

Known for

  • Slow travel
  • Field dispatches
  • Photo books

Focus

  • Coast routes
  • Rail
  • Markets
Story

Three years as an assistant editor at a guidebook publisher taught me how much of travel writing is written from a desk. I left in 2018 to do it the other way around: go, stay, and file from the road. Since 2019 I have published Slow Crossing, a dispatch of pictures and notes from whatever route I am on. Coast Road, a self-published book from a 900 kilometre walk of the Atlantic coast, came out in 2023. I keep four series running at once so a trip always has somewhere to land.

Milestones

2018 - present

Independent Photographer & Writer

Assignments, four running series, and Slow Crossing.

2015 - 2018

Assistant Editor, Farrow Guides

Route guides written mostly from a desk.

2014

BA English, University of Leeds

Selected work
A lone walker on a coastal switchback road above the sea at first light

Photo book

Coast Road

A self-published photo book made walking 900 kilometres of Atlantic coast route over two seasons.

Published 2023

A market stall keeper weighing produce into a metal pan

Portrait series

Market mornings

An ongoing portrait series of market traders, made at the hour the stalls open rather than the hour tourists arrive.

An overnight train interior at dawn with condensation on the window

Photo essay

Night trains

A photo essay assembled across eleven overnight rail crossings, all shot between dark and first light.

11 crossings

An open blue door in a whitewashed lane under hard midday shade

Typology

Doorways

A typology collected lane by lane: the same frame, the same distance, a different door.

A small figure casting a long shadow across a cracked salt flat at dusk

Landscape

Salt

High desert and salt flat work about scale, made when the light is long enough to measure a person against the ground.

A field desk with an open notebook, folded maps, film canisters and a camera

Writing

Slow Crossing

The dispatch itself: pictures and field notes filed from the road since 2019, written where they were made.

Published since 2019

Impact

Coast Road, 2023

Self-published book from a 900 km walk

Slow Crossing since 2019

Field dispatch of pictures and notes

Independent since 2018

After three years at a guidebook publisher

Engagements

Assignment photography

Place and travel assignments for editorial and brand clients, shot over a stretch rather than a schedule.

Writing and dispatch

Field writing filed from the road, and long-form pieces built from a trip rather than a brief.

Licensing

Frames from the running series available for editorial and book use.

The interview

What does Wren do?

She is a travel photographer and writer based in Lisbon who works in long stretches and publishes Slow Crossing, a field dispatch of pictures and notes.

What has she published?

Coast Road, a self-published book from a 900 kilometre walk of an Atlantic coast route, and four ongoing series including Night trains and Market mornings.

Is she available?

Yes. Assignments and slow commissions, with a preference for work that allows more than a few days on the ground.

Perspective

Day nine beats day one

The first frames a place gives you are the ones it gives everyone. Staying is the only technique that reliably changes the picture.

Write it where you made it

Notes written back home turn into copy. Notes written on the platform stay closer to what actually happened.

Elsewhere

Cover·shown with a fictional demo record

See it on your record →
Cover · Designs · Source of You